1834-1903
James Abbott McNeill Whistler Art Locations Related Paintings of James Abbott McNeil Whistler :. | Arrangement in Schwarz Portrait von F.R.Leyland | Wapping | Symphony in White 1 | Caprice in Purple and Gold No 2 The Golden Screen (mk09) | Nocturne in Black and Gold The Falling Rocket | Related Artists:
Pierre-edouard Frere (1819 - 1886), French painter, studied under Hippolyte Delaroche, entered the e - ole des Beaux-Arts in 1836 and exhibited first at the Salon in 1843. The marked sentimental tendency of his art makes us wonder at John Ruskin's enthusiastic eulogy which finds in Frere's work the depth of William Wordsworth, the grace of Joshua Reynolds, and the holiness of Fra Angelico. What we can admire in his work is his accomplished craftsmanship and the intimacy and tender homeliness of his conception. Among his chief works are the two paintings, Going to School and Coming from School, The Little Glutton (his first exhibited picture) and L'Exercice (in the 19th century this work was in John Jacob Astor's collection). A journey to Egypt in 1860 resulted in a small series of Orientalist subjects, but the majority of Frere's paintings deal with the life of the kitchen, the workshop, the dwellings of the humble, and mainly with the pleasures and little troubles of the young, which the artist brings before us with humor and sympathy. He was one of the most popular painters of domestic genre in the middle of the 19th century.
Ernest Fries1801-1833
German
Ernest Fries Locations
Jacques Courtois (also called 'il Borgognone' or Giacomo Borgognone) (1621 - 20 May 1676?) was a French painter.
He was born at Saint-Hippolyte, near Besançon. His father was a painter, and with him Jacques remained studying up to the age of fifteen. Towards 1637 he went to Italy, was received at Milan by a Burgundian gentleman, and entered, and for three years remained in the French military service.
The sight of some battle-pictures revived his taste for fine art. He went to Bologna, and studied under the friendly tutelage of Guido Reni; thence he proceeded to Rome, where he painted, in the Cistercian monastery, the "Miracle of the Loaves." Here he took a house and after a while entered upon his own characteristic style of art, that of battle-painting, in which he has been accounted to excel all other old masters; his merits were cordially recognized by the celebrated Cerquozzi, named Michelangelo delle Battaglie.
He soon rose from penury to ease, and married a painter's daughter, Maria Vagini; she died after seven years of wedded life. Prince Matthias of Tuscany employed Courtois on some striking works in his villa, Lappeggio, representing with much historical accuracy the princes military exploits. In Venice also the artist executed for the senator Sagredo some remarkable battle-pieces. In Florence he entered the Society of Jesus, taking the habit in Rome in 1655; it was calumniously rumoured that he adopted this course in order to escape punishment for having poisoned his wife.
As a Jesuit Brother, Courtois painted many works in churches and monasteries of the society. He lived piously in Rome, and died there of apoplexy on 20 May 1676 (some accounts say 1670 or 1671).
His battle-pieces have movement and fire, warm colouring (now too often blackened), and great command of the brush, those of moderate dimensions are the more esteemed. They are slight in execution, and tell out best from a distance. Courtois etched, with skill twelve battle-subjects of his own composition. The Danzig painter called Pandolfo Reschi in Italy was his pupil.
His brother Guillaume was also a painter in Italy.